Behind the Scenes of "Come Follow Me": Pas Musique's Creative Process Unveiled
In this episode of "Concerts That Made Us," Robert L. Pepper from Pas Musique delves deep into the intricacies of his latest album, "Come Follow Me," which draws significant inspiration from the pioneering electronic artist Fad Gadget. Brian meticulously explores Robert's creative process, uncovering the layers of thought and emotion that go into his compositions. They discuss the evolution of his music, tracing its roots from early influences to its current experimental soundscapes.
Robert opens up about the unique challenges he faced during the pandemic, including the difficulties of remote collaboration and the absence of live performances, which are a crucial aspect of his artistic expression. He shares vivid anecdotes from memorable concert experiences, painting a picture of the electric atmosphere and the profound impact of audience interactions on his work. These stories underscore the transformative power of live music and its role in shaping his artistic identity.
Throughout the conversation, Robert reflects on the importance of resilience and innovation in the ever-changing landscape of the music industry. He emphasizes the need for artists to adapt and find new ways to connect with their audience, especially in times of crisis. The episode offers a captivating glimpse into Robert's journey, highlighting the interconnectedness of his musical and artistic pursuits, and providing listeners with a deeper understanding of the passion and dedication that drive his creative endeavors.
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Pas Musique
Since emerging on the music scene 29 years ago, Pas Musique has pursued musical elements of electronic and experimental music with krautrock undertones. Pas Musique has collaborated with many great musicians, including Faust, Rapoon, ZEV, Philippe Petit, HATI, Chester Hawkins, Jim Tuite, and many more. Pas Musique has performed in 18 countries and throughout the United States. Pas Music is also currently working with Robin Storey of Rapoon on other completely avant, experimental, improvisational compositions.
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