The Return to Raw Sound: Inca Babies' "Ghost Mechanic Nine" with Harry Stafford
In this episode of "Concerts That Made Us," Brian engages in an insightful conversation with Harry Stafford, the frontman of Manchester death-rock pioneers Inca Babies, about their latest album, "Ghost Mechanic Nine." The album marks a return to the gritty, raw sound that characterized Inca Babies' music in the 1980s, capturing the essence of their early days while infusing it with a modern twist. This sonic journey is brought to life with the expertise of producers Simon Bing Archer and Marco Butcher, who have helped to craft a sound that is both nostalgic and fresh.
Throughout the episode, Brian and Harry delve into the intricate creative process behind "Ghost Mechanic Nine." Harry shares anecdotes about the songwriting and recording sessions, highlighting the collaborative efforts that went into the album's production. They explore how the band's sound has evolved over the decades, reflecting on the influences and experiences that have shaped Harry's musical journey.
A significant portion of the discussion is dedicated to the vibrant Manchester music scene, a cultural hub that has been instrumental in the band's history. Harry offers insights into how the city's dynamic environment has inspired his work and the band's enduring legacy. He also reflects on the challenges and rewards of reworking older songs, striving to maintain the original spirit while introducing new elements that resonate with both long-time fans and new listeners.
The conversation takes a personal turn as Harry shares his thoughts on balancing fan engagement with artistic experimentation. He emphasizes the importance of staying true to one's artistic vision while remaining open to the evolving tastes of their audience. Additionally, Harry reveals some of his favorite albums that have influenced his music and discusses his passion for filmmaking, an art form that complements his musical endeavors.
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Inca Babies
The Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. Their 1984 debut single 'Interior' presented an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.
A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and releasing a further six singles and four albums in the next five years, all entering the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year. Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond.
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